Lighting the Divine – Wake Up Dead Man Review
anfa is back with a piece on Rian Johnson’s “Wake Up Dead Man” which is part of the Knives Out series. Adelaide speaks on lighting as a storytelling tool and Johnson’s karmic narratives.
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“Weapon of the Weak”, Interview with Cheryl Hess – Galway Film Fleadh
This is a quick look back at the films we got to see at the Galway Film Fleadh this year and an interview with co-director of Marriage Cops, Cheryl Hess.
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I Don’t Want Comedians to Talk to me – Comedy, Storytelling, and Audience Work
“I think seeing… carefully constructed routines… really emphasised for me the things that felt off about the audience-based interactions of other comedians… I find many of them shallow and lacking meaning. They are the type of basic observations and jokes you could make with a group of friends. That’s not to say that they aren’t funny. It just lacks that same intricacy.”
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Apathy in Profit – The Eurovision and Neutrality
“In 2022, the EBU set a precedent for repercussion and political standing by indefinitely banning Russia from participating or broadcasting the contest after their invasion of Ukraine… In this simple decision to ban, the EBU opened themselves up to the responsibility of being politically steadfast and answerable (…) they had just willingly consented to partake in a huge political statement.”
Adelaide talks about politics in the light of this year’s Eurovision and the continued participation of Israel.
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Irish Music Groups and Pushing the Language – IMLÉ
“In the current climate of interest in Irish culture and history, Irish language is something we want more of. Now is the time for actual Irish speakers to get their chance at the front and centre so we aren’t left with the bastardized, multi-dialectal carry-on that I learnt in school on the East coast.”
Adelaide discusses Irish language music with the release of “Taoille” by IMLÉ.
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How “The Brutalist” Lectures us in Beauty among Banality
“This energetic beginning sets the tone for the waxing and waning narrative throughout. The film goes from intense to lackadaisical in a heartbeat, representative of the fact that László Tóth is a man who has opportunity presented and snatched from him in quick succession, a symptom of the falsely idyllic, capitalistic society that history tells us post-war America was.”
Adelaide talks about Oscar-winning film, The Brutalist.
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Ten Years Since The Hobbit, Do We Like it Yet?
A decade since release, Adelaide discusses the most hated aspects of The Hobbit trilogy and whether or not the unpopularity is justified.
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Ireland as a Country with its Mouth Sewn Shut- Small Things Like These Review
“What the story brings around repeatedly is how the hyper-awareness of others’ opinions, and the fear of these opinions, was entirely detrimental to maintaining a moral society…. What few wish to admit, and what this story delves into, is that most people knew precisely what happened at the Laundries yet remained silent…”
Adelaide reviews the latest film based on the work of author Claire Keegan, Small Things Like These.
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Echo Fold “Said & Done”- Single review
“Echo Fold is capable of being a versatile band whilst still maintaining their cultivated sound and image, something that is a big draw for both old and new audience…”
Adelaide reviews the newest single from Dublin-based band, Echo Fold.
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Poorly Chosen Narratives- Chevalier Review
“The more interesting parts of Joseph Bologne’s life, his role in the French revolution despite being a nobleman, are left to be epilogue to the hour and forty-minute feature. The audience is instead met with a drab love story between the Chevalier and the quaint singer, Marie-Josephine de Montalembert.”
Adelaide talks about 2022 film, Chevalier.
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