Apathy in Profit – The Eurovision and Neutrality
“In 2022, the EBU set a precedent for repercussion and political standing by indefinitely banning Russia from participating or broadcasting the contest after their invasion of Ukraine… In this simple decision to ban, the EBU opened themselves up to the responsibility of being politically steadfast and answerable (…) they had just willingly consented to partake in a huge political statement.”
Adelaide talks about politics in the light of this year’s Eurovision and the continued participation of Israel.
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Irish Music Groups and Pushing the Language – IMLÉ
“In the current climate of interest in Irish culture and history, Irish language is something we want more of. Now is the time for actual Irish speakers to get their chance at the front and centre so we aren’t left with the bastardized, multi-dialectal carry-on that I learnt in school on the East coast.”
Adelaide discusses Irish language music with the release of “Taoille” by IMLÉ.
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How “The Brutalist” Lectures us in Beauty among Banality
“This energetic beginning sets the tone for the waxing and waning narrative throughout. The film goes from intense to lackadaisical in a heartbeat, representative of the fact that László Tóth is a man who has opportunity presented and snatched from him in quick succession, a symptom of the falsely idyllic, capitalistic society that history tells us post-war America was.”
Adelaide talks about Oscar-winning film, The Brutalist.
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Ten Years Since The Hobbit, Do We Like it Yet?
A decade since release, Adelaide discusses the most hated aspects of The Hobbit trilogy and whether or not the unpopularity is justified.
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Ireland as a Country with its Mouth Sewn Shut- Small Things Like These Review
“What the story brings around repeatedly is how the hyper-awareness of others’ opinions, and the fear of these opinions, was entirely detrimental to maintaining a moral society…. What few wish to admit, and what this story delves into, is that most people knew precisely what happened at the Laundries yet remained silent…”
Adelaide reviews the latest film based on the work of author Claire Keegan, Small Things Like These.
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Echo Fold “Said & Done”- Single review
“Echo Fold is capable of being a versatile band whilst still maintaining their cultivated sound and image, something that is a big draw for both old and new audience…”
Adelaide reviews the newest single from Dublin-based band, Echo Fold.
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Poorly Chosen Narratives- Chevalier Review
“The more interesting parts of Joseph Bologne’s life, his role in the French revolution despite being a nobleman, are left to be epilogue to the hour and forty-minute feature. The audience is instead met with a drab love story between the Chevalier and the quaint singer, Marie-Josephine de Montalembert.”
Adelaide talks about 2022 film, Chevalier.
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The Best Seasonal Watches
Adelaide gives a quick breakdown of some of her favourite shows and films to watch each season.
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How to Continue a Franchise- Alien: Romulus Review
“Alien: Romulus is rife with hints and clear indicators of where the story is going but as a fan of the films, I found that these were not met with sighs from over predictability, instead they drew out excitement for where I knew the film was going to go.”
Adelaide reviews the latest instalment in the Alien franchise, Alien: Romulus
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Echo Fold “Acceptance”- Single Review
“Whether you are someone who likes to dive into lyrical composition or just feel things out with the melody, this song will work for you.”
Adelaide reviews Dublin-based band Echo Fold’s latest single, Acceptance.
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