Emigration and Parenthood – Vital Sign Review
As part of DIFF’s Making Waves programme, Adelaide reviews film Vital Sign from Hong Kong director Cheuk Wan-chi.
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Nate Ki’s Modern Horror Folklore- Back Home Review
This week Emma takes a look at Nate Ki’s feature debut Back Home, as part of the Dublin International Film Festival, Making Waves: Navigators of Hong Kong Cinema.
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Genocide in the Peripheries – The Zone of Interest Review
As part of BFF 2023 Adelaide got to see The Zone of Interest. Following an excerpt of the life of Auschwitz Commandant Höss, this film challenges the senses.
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“Trad Gone Bad” Four Piece Trad-Metal Band The Scratch Release New album “Mind Yourself”
This week Emma takes a look at the Dublin trad-metal band The Scratch with their latest release “Mind Yourself”.
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What it Means to be Human – Foe Review
Adelaide discusses themes of humanity and love in new science-fiction release, Foe.
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Ticket to Ride – “HOW TO HAVE SEX” Review
Conor explores the place of sexual content in film and TV with the release of Molly Manning Walker’s debut feature, How to Have Sex.
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“London” The Latest Release From Dublin-Based Alt Band Milk.
This week Emma takes a look at the latest release from the Dublin-based, alternative pop band Milk.
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The Cultural Relevance of the “Saw” Franchise – 20 Years On
Guest writer, and horror expert, Lauren Gallagher gives insight into the impact and retention that follows the franchise of the Saw films with the release of Saw X.
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Shakespeare’s Globe Theatre review – Macbeth, and the Culture of Theatre-going
Adelaide talks about her recent visit to Shakespeare’s Globe in London to see Macbeth.
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“Yard” – The Latest Release From Indie-rock Band Slow Pulp
This week Emma takes a look at the album “Yard”, the latest release from the Chicago-based indie rock band Slow Pulp.
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