Ticket to Ride – “HOW TO HAVE SEX” Review
Conor explores the place of sexual content in film and TV with the release of Molly Manning Walker’s debut feature, How to Have Sex.
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“London” The Latest Release From Dublin-Based Alt Band Milk.
This week Emma takes a look at the latest release from the Dublin-based, alternative pop band Milk.
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The Cultural Relevance of the “Saw” Franchise – 20 Years On
Guest writer, and horror expert, Lauren Gallagher gives insight into the impact and retention that follows the franchise of the Saw films with the release of Saw X.
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Shakespeare’s Globe Theatre review – Macbeth, and the Culture of Theatre-going
Adelaide talks about her recent visit to Shakespeare’s Globe in London to see Macbeth.
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“Yard” – The Latest Release From Indie-rock Band Slow Pulp
This week Emma takes a look at the album “Yard”, the latest release from the Chicago-based indie rock band Slow Pulp.
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Dublin Fringe Festival – A Retrospective on the Arts in Ireland
Adelaide went to see multiple shows during the Dublin Fringe Festival. Here are her retrospective thoughts.
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Unconscious Expressions of Misogyny in Claire Keegan’s “So Late in the Day”
This week Emma takes a look at the master of the short form Claire Keegan with her latest release “So Late in the Day”.
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Love in Times of Extinction – HOTHOUSE at Dublin Fringe
Adelaide kicked off the Dublin Fringe festival with a viewing of HOTHOUSE, a play about love, legacy, parenthood and the end of the world.
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Cinema is Back, and it’s Atomic Blonde – Barbie and Oppenheimer Review
“Barbenheimer” was the cultural event of the Summer, but was the hype deserved? Adelaide Thermes Kane takes a look at the combining of these films and what it means for the popularity of cinema.
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George Kane’s “Apocalypse Clown”
Emma attended the preview screening of George Kane’s bizarrely loveable “Apocalypse Clown”.
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